Yaël Farber’s thrumming production returns to the Fringe after it first stalked the stage in 2012. Creating a vivid, bloody drama of race and class, August Strindberg’s Miss Julie is transposed to post-apartheid South Africa. The intensity holds throughout as Julie (played with feral desire by Hilda Cronje) tempts her manservant John (with an avalanche of a performance by Bongile Mantsai) in this production which roars for its full 90 minutes.
The love between the impossible duo is so ferocious the stage seems to beat. Their destructive passions never settle, power constantly throwing them across the stage. A gun is pointed one way then the other. Lungs crack and blood seeps.
Though Julie and John’s bodies fit together, they are unable to find any sense of harmony. There is a temporary moment of calm where tensions reduce to a simmer, limbs bubbling to touch, before cascading once again into a thumping, savage haze. Over the haunting, metallic tune of the onstage band, they replay the tensions between their ancestors as they rip wildly at each other’s cores. The vast theatre is not ideal for the intensity of the production, but it pulsates regardless.
While bundled in the illicit couple’s searing lust, the production also shows how John’s mother is traumatised by her past, agony tangible in her song. The tragedy of the ignorance of youth is revealed in the last few moments of the play, as the dust settles, and John’s mother is left to clear up the devastating mess.
Original: Fest. Photo: Murdo Macleod.